Shelf Talker: A sobering glimpse into a possible future when women's rights to bodily autonomy are revoked by an overreaching government. Cautionary tale and should be required reading.
Will we turn back the clocks on women's right to bodily autonomy? RED CLOCKS posits that future as four women--a pregnant teenager, a high school teacher desperate for a child, one stuck in a failed marriage, and one a homeopath-- struggle in the aftermath of the Personhood Amendment which bans abortion and in-vitro fertilization (because you can't move a "person" against their will), requires two heterosexual parents to adopt, and restricts the movement of pregnant women across international borders. This lyrical, disturbing novel is downright precient and should be required reading.— Susan
February 2018 Indie Next List
“I never understood what it meant for someone's writing to be 'lyrical' until I picked up Red Clocks. With beautiful prose, Leni Zumas tells the story of a young girl seeking an abortion in a world where abortion is illegal and dangerous; a woman on the quest to have children when in-vitro fertilization is illegal and folks aren't allowed to adopt without a partner; a woman in a dead-end marriage desperate to escape from her husband and children; and a woman considered a witch by most who provides homeopathic reproductive healthcare, including illegal abortions. Zumas beautifully weaves these stories together and gives each individual a strong and unique voice, while also maintaining suspended disbelief. These characters felt real and this world felt possible. I suspect this will be one of the best books published in 2018.”
— Hanna Foster, Book People Bookstore, Austin, TX
Winter 2018 Reading Group Indie Next List
“This novel surpassed my wildest expectations in the questions raised for the women Zumas so expertly brings to life. This goes beyond the politics of what women are ‘allowed’ to do with their bodies: it is about what we as women decide to do and the options we give ourselves. A must read for anyone who loved A Handmaid’s Tale or Burial Rites or who just wants to read an amazing book.”
— Catherine Bock, Parnassus Books, Nashville, TN
Five women. One question. What is a woman for?
In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom. Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivv?r, a little-known 19th-century female polar explorer.
Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro's best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling herbalist, or "mender," who brings all their fates together when she's arrested and put on trial in a frenzied modern-day witch hunt.
Red Clocks is at once a riveting drama, whose mysteries unfold with magnetic energy, and a shattering novel of ideas. In the vein of Margaret Atwood and Eileen Myles, Leni Zumas fearlessly explores the contours of female experience, evoking The Handmaid's Tale for a new millennium. This is a story of resilience, transformation, and hope in tumultuous -- even frightening -- times.
About the Author
"The story is set in a small Oregon town in a future that Mike Pence can almost see if he stands on his pew...This provocative exploration of female longing, frustration and determination couldn't be more timely, and yet there's nothing fleeting about it. With Red Clocks, Zumas has written a novel that's political without being doctrinaire, that expands the dimensions of our most pressing social debate."—Ron Charles, Washington Post
"Intricate and alarming, Leni Zumas' riveting second novel, Red Clocks, arrives just in time....Wry and urgent, defiant and stylish, Zumas' braided tale follows the intertwined fates of four women whose lives this law irrevocably alters....Lit up with verbal pyrotechnics and built with an admirably balanced structure, Red Clocks is undeniably gorgeously written.... Indispensable."—Chicago Tribune
"Zumas has written a work that's preoccupied with what it means to live inside a woman's body, and to exist in that body in a world that's long viewed it with fear and unease.... A thoughtful, complicated picture of womanhood-and a fierce argument for individual choice.... Red Clocks is relentlessly interrogative but always humane.... Red Clocks instead is deeply, intentionally personal. Rather than trafficking in sweeping generalizations or one-size-fits-all dictates, it focuses on the uniqueness of all of its characters, who are nevertheless linked by the immutability of their bodies. The familiarity of the book's world, just a step removed from our own reality, is the most shocking thing about it."
"A cautionary work of far-sighted fiction.... Spooky-good."
"Strange and lovely and luminous. I loved Red Clocks with my whole heart."—Kelly Link, author of Magic for Beginners
"In bristling sentences, Zumas shows girls and women defying the excruciating restrictions imposed by both law and culture. Red Clocks is unabashedly political and fiercely humane."—Emily Fridlund, author of History of Wolves
"Zumas manages a loose yet consistently engaging tone as she illustrates the extent to which the self-image of modern women is shaped by marriage, career, or motherhood. Dark humor further enhances the novel, making this a thoroughly affecting and memorable political parable."
"Zumas' novel is a reckoning, a warning, and nothing short of a miracle. Don't miss it."
"Zumas is a lyrical polymath of a writer: she loves wordplay and foreign terms, she has an ear for dialogue, and she knows an impressive amount about herbal healing, Arctic exploration, and the part of the U.S. her story is set in...A good story energized by a timely premise."
"Shattering.... With its strong point of view, the novel, in lesser hands, might have been reduced to agitprop, but Zumas has raised it, instead, to the level of literature, which readers will find deeply moving. The characters are beautifully realized, inviting empathy and understanding; the richly realized plot is compulsively readable, and the theme, with its echoes of Margaret Atwood, is never didactic but invites thought and discussion. The result is powerful and timely."
—Booklist, starred review
"In language both poetic and political, Zumas presents characters who are strong and determined; each is an individual in her own right. Inevitably, there will be comparisons to Margaret Atwood's The Handmaid's Tale, but Zumas's work is not nearly as dystopic or futuristic, only serving to make it that much more believable. Highly recommended."—Library Journal (starred review)
"Zumas's female characters are resourceful in the ways they resist. Although it has a serious message about how women are valued by society, Red Clocks is essentially a comedy, using humor to highlight the absurdities of authoritarianism and to celebrate self-determination.... Zumas [has] tapped into a newly resurgent literary tradition, one less prophetic than cautionary. They and many of their fellow writers of speculative fiction convey the need to be alert to injustice - and to be prepared to act against it."—High Country News
"[Red Clocks] asks us to rethink what it really means to be female in a world that's written almost exclusively by men.... It is always nice when a novel forces me to revisit the foundation of my values. It's a little bit like rereading your favorite books, every decade or so.... For all its polemics, Red Clocks is actually most notable for the brio of its prose--its excellent sense of timing and cadence.... Time's a-ticking, this novel seems to say. Wake up."—Fiona Maazel, Bookforum
"The book has a beautiful literary top over a highly relevant science fiction setting."
"This is the dystopia that the right wing wants...the characters in Red Clocks are nuanced and funny, and the novel itself is as in-your-face yet strangely beautiful as the cover art."
"Zumas' book stands out from the crowd for its thoroughness in revealing the hypocrisy inherent to valuing the lives a woman brings into this world, but not the life of the woman herself."
"Like Margaret Atwood in The Handmaid's Tale, Portland author Leni Zumas' new book describes a future both frightening and all too possible....[Zumas]has a lovely way with a sentence and a sharp understanding of how women can be jealous and supportive of each other in equal measure. The coastal setting is vividly rendered, as is the everyday reality of doctor appointments, dirty dishes and broken dreams."
"A book as lyrical as it is devastatingly honest, Red Clocks fast-forwards to the time after you've marched and called and voted, showing us all the complexities and pains of life in the aftermath."
"The novel takes place in a United States only slightly extrapolated from our current one-and it's through this familiarity that the book derives its power....Zumas's decision to tell the story from four different perspectives is not just a stylistic flourish. Together, they form a raw portrait of the forces of disenfranchisement that women have faced for millennia. What gives Red Clocks its lingering pungency is how, despite each character's distinct circumstances, the same features-pregnancy, motherhood, and social expectations-trap and menace them all.... Luminous."
"Like the best dystopian fiction, Red Clocks is so close to reality that it feels almost prophetic; like the best fiction, it's highly inventive; with sharp, stark prose; strong characterizations; and an undercurrent of humor and hope... Red Clocks has drawn understandable comparisons to the work of Margaret Atwood, but I find the source of Zumas' epigraph, Virginia Woolf's To the Lighthouse, a more convincing parallel. That book, like this one, is concerned with the existential pain of a life's divergent branching, the numerous "other lighthouses" that exist in the shadow of the real one.... In revealing the true complexity of motherhood and abortion too often obscured by a rabidly misogynistic right wing, Red Clocks does something radical.... Red Clocks delivers a stark, clear truth about the existential quandary of being a person capable of ceding your body to the gestation of another body. It's an amazing thing to be able to do. It's a monstrous thing to force someone to do. And between these two extremes is where most of us live."—Portland Mercury News